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(Seated left
to right) Tom Franklin, Tim Gautreaux,
Gene Edwards, Kent Haruf |
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Tim Gautreaux, author
of "The Clearing," began writing fiction when
someone gave him an old Remington
typewriter. The preteen found a pen pal in Canada
and started sending him about 1500 words a week. “In
1958, in Morgan City, Louisiana, there’s
not much to talk about so I ran out of material
after about three letters and began to lie,” says
the critically acclaimed author. “I told
him I had a pet alligator with a saddle on it.
Stuff like that.” These days, Gautreaux’s stories are still
culled from his real life. “On a little bit
of research and a little bit of family legend,
I can get a lot of mileage,” he tells Gene
Edwards early in the roundtable discussion on Writers. “You
just extrapolate from what you observe.”
In the summer of
2004, Edwards gathered Gautreaux, Kent Haruf,
and Tom Franklin at Jackson, Mississippi’s
Lemuria Books, for an in-depth discussion on the
craft of writing the contemporary novel. The conversation
was so compelling that he kept the cameras rolling
for a second hour and created two one-hour episodes
of his television program.
Kent Haruf shared
the secret of the peculiar way he wrote the first
draft of his novels "Plainsong"
and "Eventide." “I shut my eyes
and write it that way, on an old manual typewriter,” he
says. “I sometimes wear a stocking cap over
my eyes so I don’t open my eyes. I don’t
want to let the analytical part of my mind into
the process too soon.”
And Tom Franklin,
whose first novel, "Hell at the Breech," was
published just a year earlier, honestly
admitted that he only writes for about an hour
and a half in an eight hour session. “I play
a lot of computer solitaire. I check email about
twenty times. I’ll be out in the back yard.
I go to get Chinese food for lunch. I do laundry.”
But Haruf and Franklin
agree that a productive day of writing may be
one good paragraph. “Or
even one good line. One good simile would be a
good day,” adds Franklin.
From inspiration—“I heard a great
line in a bar once,” says Franklin; to the
writing process—“I think you are looking
for a rhythm, a prose that does have a rhythm on
it,” adds Haruf; to publication—“I
used to take my rejection slips and stick them
on the wall in my office and after about eight
years, the walls were all covered,” shares
Gautreaux, these novelists trace their careers
from their early mentors to their future plans.
All three authors
praised independent bookstores for hand selling
their books and contributing to
their success. In a sidebar, celebrated novelist
John Grisham explains, “What independent
bookstores will do, take an unknown author for
a first novel that they liked and create the buzz,
and talk to each other and push the book and get
the author in the store. And they could make a
career.”
Grisham was in Oxford,
Mississippi, to celebrate Square Books’ 25th
anniversary. He spoke of owner Richard Howorth’s
support of "The Firm." “He did
a lot of promotion, a lot of promotion for The
Firm
and all the books.
And It’s
always been a reason for me to come back to Square
Books. I look forward to it with every book.” The evening before
taping, the novelists participated in a reading
at Lemuria Book. “We are very
honored to have these three writers,” owner
John Evans told the audience. “These are
three of my favorite writers and I think that they
are three of the finest writers writing in this
country today.” |